Elder Allan reflects on his childhood years, growing up in a time of change and continuity on Palm Island. Born in 1961, he remembers the era of the Vietnam War and the peaceful 1970s. As one of four brothers and five sisters, Allan's childhood was filled with familial bonds and traditional teachings. "I remember when I was younger," he recalls, "it was a boy that growing up sees things." His parents' work and cultural practices left a lasting impression on him. Allan fondly remembers his father's craftsmanship, making drums, boats, and traditional artifacts. "Dad always made boats and, uh, sometime he, he, he unfinished work, so go away and then we all start doing the same things over again," he shares.
The family dynamics were shaped by periods of separation and reunification, as his parents sometimes had to be away, leaving the children in the care of others. Despite these challenges, Allan and his siblings learned respect and cultural values from those who cared for them. "We grew up to listen and, and taught how to be respected and all that," he says. These teachings were reinforced when his mother returned, bringing the family together to share traditional activities like gathering cockles by the jetty.
Allan's connection to his roots is evident in his respect for the land and its people. He expresses gratitude to the traditional owners of the country, the Dur people, for welcoming them. "We came up to look at some of the Mission Beach where they, uh, got so got hit by a recycling," he mentions, highlighting his ongoing bond to the land and its history.
Through his stories, Allan offers a glimpse into the strength of family, the importance of cultural heritage, and the resilience of community life.


Allan Palm Island
Palm Island, Queensland
Allan Palm Island is a Traditional Owner Director on the PICC Board, representing the Manbarra people (Wulgurukaba). He learned cultural traditions from his father starting at age 8 and studied the stories of the Nanggarra Wanggarra people. Allan holds a Master of Fine Arts from RMIT University Melbourne (1999). His art practice depicts land and sea life, embodying the spiritual connection to ancestors and Country.
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